Although I did spend most of my time at the cottage, I did make it out for a couple of art excursions. Of course I also had my errands: forage for food, print photos and wash laundry - every once in a while.
One day I took some time to visit the Aldrich Contemporary Art Museum in Ridgefield (about 12 minutes away from where I was staying). They were having some interesting exhibits. My favorite was artist Peggy Preheim. This was my introduction to her work which consists of very precisely drafted figurative images from photographs of mostly people, children, antique dolls and these strange sculptures she creates out of white clay along with mixed media sculptures. The show prepped me for going to the Guggenheim to see…

the work of Louise Bourgeous. What an amazing exhibition. I took a day to go to NY and visit my friend Dat (Below) and see this show. She is one of my favorite artists. She goes to places in her art that I am afraid to go - at least right now. I am jealous of her sculpting abilities with marble. I’m amazed that she is 96 and still making art. I hope to do that.
This is my friend Dat in front of one of Bourgeous’ spider sculptures.

This is one of my finished paintings inspired by the rock walls and the feeling of solitude during my stay. It is made with watercolor, pencil and hand cut paper.
I think this is my favorite painting created during my stay. Although the other paintings I made with figures used me as the subject (taken with a tripod and timer) this is the one that really is meant to be a self portrait. It is done with pencil and gouache.

This is the first large-scale painting I created at the farm. I think I will title it “The Studio.” It was created with watercolor, pencil and hand cut paper.
This was the most technically difficult painting for me to create. It is an image of the upside-down caretaker’s house that I was staying in merged with the apple tree I fell in love with. It is done entirely in watercolor. This is the painting in progress.

After working so hard on all of the figurative and very technically intricate paintings I needed to take a break and have some fun with my ideas and media. I decided to make some abstracts based on the stone work. This is the under painting of the finished piece below.

The sky in this painting has a story written about the farm and how it needs to be tended to constantly. The red stone has lines on it and symbolized the buildings on the farm with their traditional red paint.
This painting is the second and last abstract that I finished. It was inspired by the walk I took to the pond. One of the stones has a story written on it about that walk done on collaged Japanese paper. This painting is in watercolor, gouache and pencil.

For my open studio at the farm I showed all six works created during my two week stay.
Select members of the Weir Farm Art Center chose to use the image of the upside-down house and apple tree for one of their upcoming catalogs.
All the paintings that I created during this stay are very personal to me. I really tried to be in the moment while on this residency, and to not be hindered by expectations put on myself to have my work look a certain way or fit in with my already existing portfolio. I feel energized by my experience of doing this residency and plan to do more in the future.

At the open studio I posed with some key people from the art center: Left to right - Ellie Nye Ernst (board member), Amy Allen (Program Manager), Daphne Deeds (Executive Director).
I wish to thank everyone at Weir Farm Art Center for supporting such a great program and especially Amy Allen for being so personable and helpful.